And we have a major 6th instead of a minor 6th interval. This means that it would be best to use Dorian mode over it. You can also use a dominant chord instead of a major one for extra tension.Īs you can see, the fourth chord here is a major instead of a minor one. It gives more resolution and usually sounds more appealing. The second variant comes with a major chord starting with the fifth degree in the scale. The other very similar version is i-IV-i-IV-i-IV-V-i. The progression in question goes i-IV-i-IV-i-IV-v-i. Let’s check out a modified version of it. After all, it’s a very simple yet effective movement of chords. You can also find the progression in medieval, or medieval-inspired, music. But there are plenty of other genres where it appears. It’s mostly popular in the 12-bar-blues form. If you’ve been playing guitar for a while, you’ve probably heard of the I-IV-V progression. I’ll leave that part to your creativity.Īnyway, here are some chord progressions that can make you sound medieval. I won’t get too much into how many beats or measures you should play each chord. Also, lowercase Roman numerals show a minor chord while uppercase shows a major chord.Īdditionally, these progressions can be played in different ways. And the chord is built using that scale degree as the root note. To those not familiar with the concept, you’re just using the scale degree numbers instead of chords. Additionally, I’ll show these examples through the Roman numeral analysis. I’ll show some examples in the key of A minor. With this out of the way, let’s tackle the way we’ll read chords here. Nonetheless, the chord progressions that I’ll show might also belong to the Renaissance category as well. There are some obvious similarities, although they’re not the same. One more thing to add is that a lot of music fans these days put medieval and renaissance music into the same category. And if you’re interested in sounding medieval, you can try certain chord progressions. However, since we live in the 21st century, we can look at old music through the lens of modern theory. At least they didn’t have a proper way to define it. And, there wasn’t even such a concept as chord progressions. There was no such thing as a 12-tone equal temperament. Musicians even relied on different tuning practices. In fact, it would take forever to explain how it all worked. Firstly, back in medieval times, music theory was completely different. There are a few things we need to set straight first before we begin. Of course, some speculation is involved in discussing medieval music since we don’t have any audio recordings from that era.īut I’ll do my best to share in this post how to think about medieval chord progressions. If you’re curious about medieval chord progressions, you’ve come to the right post.
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